Over the years I have bought, designed, or helped design quite a number of blown film dies. After few go-arounds, it amazed me how often the process of designing a die was treated as “magic,” with the thought that only a few anointed “die wizards” could actually do the job. Not so.
That being said, there are a few things these wizards do need to know before tackling your project. And if the one you’re working with does not ask for them, find another wizard.
First, a few basics: A die can run one material at one temperature and one output rate perfectly…if it is designed perfectly. To put it more scientifically (it is science, after all), a die is designed for one volumetric throughput of a material with specific viscosity characteristics. If you ask anything more of a die, something will be compromised somewhere. (Of course, some die designs are more forgiving than others).
The first thing your die designer needs to know is what are you planning to run on it, and how fast. This may sound obvious, but sometimes it is not communicated well. It is not enough to tell a designer, for example, that you’ll be running an 18% 2-MI EVA with a 1-MI HDPE in a 10/90 layer ratio at 1000 lb/hr. That information alone won’t get you the die you need. Rather, the die designer will need the actual rheology curves (tabulated raw data is even better) for the specific resin blends you are running. (Please note: It is the rheology of your blends that counts.) Provide them this rheological data at temperatures that straddle your operating conditions (typically three temperatures).
Always have a confidentiality agreement in place before sharing information with your designer. But if you have a product that is truly super-secret, remember that the designer generally only needs the rheology data, and throughput rates. The designer does not need to know if you’ll be running LDPE or LLDPE (though the rheology curves should provide a pretty good idea, in any event).
After you have given your die designer what he needs, there are some things you need to get from him—guarantees. The more general ones are listed here:
I recommend taking the die apart when it is first delivered, even though this may be an unpleasant, seemingly unnecessary process. Doing so will give your maintenance people the opportunity to see and learn what will be involved in their future work, and to prepare for it. Plus you can find any defects. And if the die maker refused to supply dimensions, you can get them at this time. (Or, a local machine shop has all the measuring tools and would be happy to do it for you for a marginal fee.)
Eric Hatfield is manager of technology implementation at specialty film processor Clopay Plastic Products, Mason, Ohio. He can be reached at firstname.lastname@example.org.